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FORCE Festival 2026 Complete Guide | October 25 at Higashi-Ogishima East Park, Kawasaki

HIPHOP NEWS78 min read

Update, August 31, 2026: FORCE Festival has announced a worldwide ticket route with collection at 7-Eleven stores in Japan. The organizer also disclosed an approximately two-month U.S. booking trip and announced Chef O’Shane for artist catering and a limited public food offering. The full update appears below.

Correction, July 14, 2026: FORCE Festival 2026 is now officially set for Sunday, October 25, 2026 at Higashi-Ogishima East Park in Kawasaki. The July 14 schedule listed 8:00 p.m. JST on July 31; the organizer later postponed the presale to August 15. This English page previously reflected the May forecast based on YZERR’s April remarks; those May and July reads are retained as archived material in §6.

Update, August 5, 2026 (archived update record): The ticket presale was postponed on July 29 and now runs from Saturday, August 15 at 8:00 p.m. JST through Wednesday, September 30 at 11:59 p.m. JST. Prices were announced on August 1: GOLD ¥42,000 / SILVER ¥32,000 presale (general sale ¥45,000 / ¥35,000; tax included, standing). At that point, no lineup announcement had been recorded on this page.

Update, August 10, 2026: Lil Tjay and Watson were announced as featured artists on August 9 via the official Instagram, again in a collaborative post with organizer YZERR’s account. That brings the total to ten — five overseas and five domestic acts. Lil Tjay adds a New York melodic-drill voice to the bill, while Watson, who played Nippon Budokan in March, joins as the fifth domestic act. See our August 10 report (Japanese).

Update, August 12, 2026: Roddy Ricch and T-Pablow were announced as featured artists on August 12 via the official Instagram, again in a collaborative post with organizer YZERR’s account (the post is soundtracked by “The Box”). That brings the total to twelve — six overseas and six domestic acts. Roddy Ricch, whose “The Box” spent 11 weeks at No. 1 on the Billboard Hot 100, is the first current-generation West Coast name on the bill, while T-Pablow — a core member of BAD HOP and YZERR’s twin brother — joins his brother’s hometown festival. See our August 12 report for details.

Update, August 15, 2026: On the night of August 14, the official Instagram posted the first full-lineup flyer, quietly adding RASHEL — the only name so far with no individual announcement — for a total of 15 acts (seven overseas, eight domestic), with an “AND MORE…” note still attached. The flyer also fixed the day’s hours: OPEN 11:00 a.m. / START 1:00 p.m. / CLOSE 9:00 p.m. JST. Presale opened as scheduled on August 15 at 8:00 p.m. JST via eplus. See our August 15 report on the flyer hierarchy and who RASHEL is — Japanese.

Update, August 13, 2026: Lil Baby and organizer YZERR were announced via the official Instagram, again as a collaborative post (soundtracked by Lil Baby’s “Dead Fresh”). The visuals carry the same “FEATURED ARTIST” tag as every other act, but the caption explicitly calls Lil Baby the headliner of FORCE FESTIVAL 2026 and frames it as his long-awaited first performance in Japan. That framing has history: his first Japan show — the WHAM WORLD TOUR date at Tokyo’s Toyosu PIT on October 21, 2025 — was cancelled by promoter Creativeman about seven weeks out, with all tickets refunded. The cancelled debut now re-materializes as a festival headline set in Kawasaki. The count stands at 15 acts — seven overseas, eight domestic, after RASHEL was added via the full-lineup flyer posted on the night of August 14. See our August 13 report (Japanese).

Update, August 7, 2026: Polo G and Tiji Jojo were announced as featured artists via the official Instagram, in a collaborative post with organizer YZERR’s account. That brings the total to eight. Notably, Polo G, Tiji Jojo and eyden all performed at FORCE Festival 2025 as well — the festival changed its venue and format for 2026, but kept several names from the previous year. See our August 7 report.

Update, August 6, 2026: The first six announced acts are Key Glock, DJ Drama, CHASE B, Benjazzy, eyden, and Eric.B.Jr. They were announced through the festival’s official Instagram from August 3 through August 5. See HIPHOPCs’ first-wave lineup summary. The pre-announcement reads in §6 are preserved as an archive and checked against this result.

Last updated: August 31, 2026


The biggest late-August FORCE Festival update is not another rapper. It is a travel instruction: the festival says international buyers can purchase from abroad, but they must collect their tickets at a 7-Eleven store in Japan.

That announcement arrived after the bill reached 15 acts. The next two official posts explained how the U.S. lineup was booked and who is scheduled to handle artist catering and a limited food offering. FORCE has moved from announcing who will perform to explaining how the day will work.

The festival, launched by YZERR, is scheduled for Sunday, October 25, 2026, at Higashi-Ogishima East Park in Kawasaki. The official August 14 flyer lists an 11:00 a.m. opening, a 1:00 p.m. start and a 9:00 p.m. close. That means a ten-hour gate-to-close day and an eight-hour scheduled performance window.

Before You BuyOfficial Information
International purchaseWorldwide route announced through eplus
International ticket collection7-Eleven stores in Japan
Early-bird pricesGOLD ¥42,000 / SILVER ¥32,000, tax included
Domestic advance saleDisplayed as open on August 31
Announced bill15 acts: seven U.S., eight Japanese
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Table of Contents

The Announced Worldwide Route Still Requires Ticket Collection in Japan

The festival’s late-August English-language post announced international early-bird sales through a dedicated eplus page. The announced prices are GOLD ¥42,000 and SILVER ¥32,000, including tax.

Payment options include Visa, Mastercard, JCB, American Express, Alipay and WeChat Pay. The same post specifies ticket issuance at 7-Eleven stores in Japan. For an overseas visitor, the practical consequence is simple: add a Japanese 7-Eleven stop to the arrival plan. The official post does not describe home delivery or collection outside Japan.

Domestic sales use a separate eplus page. It displayed the advance sale as open when HIPHOPCs checked on August 31. The listed window ends September 30 at 11:59 p.m. JST unless the allocation closes earlier. The official flyer post says the general-sale date will follow later.

The Organizer Disclosed a Two-Month U.S. Booking Push

In its August 26 post marking 60 days until the festival, the organizer said staff spent approximately two months in the United States. They visited artists and agents and held direct negotiations.

The seven announced U.S. acts are Lil Baby, Roddy Ricch, Key Glock, Polo G, Lil Tjay, DJ Drama and CHASE B. The names were already public; August 26 added the organizer’s account of the work behind them.

The post also says early sales started more strongly than in 2025. No totals or comparison period were supplied, so that remains the organizer’s assessment rather than an independently measurable figure.

The rest of the message turned to the first outdoor edition, hospitality, food and physical design.

Chef O’Shane Is Scheduled for Artist Catering and a Public Food Offering

On August 27, the festival announced Chef O’Shane as a special guest for the food area and catering. The organizer describes him as a Jamaican-born private chef based in Atlanta, working under the name Taste of JA YardStyle.

Two roles are scheduled: catering for performers and a limited-quantity offering in the public food area. Menu, price and serving numbers have not been announced.

The timing matters. One day after FORCE named food quality as a priority, it gave a chef a profile and a defined role on the festival account. For attendees facing a long outdoor day, food is being presented as part of the programmed experience—not an anonymous concession list.

Why Operations Matter More in 2026 Than They Did at the Debut

The 2025 debut report — Japanese records two days inside Yokohama Arena. The 2026 edition is a 15-act, single-day outdoor event. It moves from an arena to a waterfront park.

The venue records show why that matters. Yokohama Arena lists a four- or five-minute walk from Shin-Yokohama Station. Kawasaki City describes Higashi-Ogishima as an artificial island where transport and evacuation options are extremely limited when weather changes.

In 2025, the doors opened beside a major rail station. In 2026, international visitors must first collect a ticket in Japan, then reach a waterfront park and plan for a full day outdoors. That is why access, food and time on site have moved to the center of the story.

The sequence is deliberate: book the bill, route the audience, run the site. The U.S. stay explains the pursuit of seven overseas acts; the ticket post addresses the trip; Chef O’Shane’s role addresses the day on the ground.

What Remains Unannounced

International visitors now have an announced purchase route and know where collection is supposed to happen. They still need to confirm live inventory, the general-sale date, a detailed site map, and Chef O’Shane’s menu and prices. The “AND MORE…” text remains on the flyer, but no additional act is announced by that phrase alone.

HIPHOPCs will keep this English hub updated as those details become official. The Japanese complete guide to FORCE Festival 2026 — Japanese tracks the lineup, tickets and venue information alongside it.

Related Reading

Verification Note

HIPHOPCs rechecked the late-August international-ticket post, the August 26 and 27 posts, and domestic eplus on August 31. Instagram displays the international-ticket post as August 22 or 23 depending on locale; this article therefore uses “late August.” The international eplus page blocked automated verification, so this update reports the announced route rather than claiming that inventory remained available at check time. Ticket availability and event arrangements may change; buyers should verify the official pages before purchasing.


This is a living hub article on FORCE Festival 2026. We will update it as lineup, venue, and ticket details are officially announced.

FORCE Festival 2026 is officially scheduled for Sunday, October 25, 2026, at Higashi-Ogishima East Park in Kawasaki, Kanagawa. The festival is hosted by FORCE MAGAZINE and was launched by YZERR. This is the second edition, following the 2025 debut at Yokohama Arena.

This living hub now records the current official picture and preserves the earlier forecast as an archive. The date, waterfront venue, single-day outdoor format, 15 announced acts, August 15 domestic presale, worldwide ticket route, and GOLD/SILVER prices are on record. The latest operational update above covers the organizer’s U.S. booking account and Chef O’Shane’s scheduled roles.

In this article, we separate three layers of information about FORCE Festival 2026: what is officially confirmed, what can be observed from the principals’ own communication, and what HIPHOPCs reads from the signals.

Readers who only want the bottom line should jump to the Information Summary below. The pre-announcement reasoning and predictions are retained as an archive in the second half.


Key Points

  • Date: Sunday, October 25, 2026. Location: Higashi-Ogishima East Park, Kawasaki, Kanagawa.
  • The event is officially confirmed as a single-day, outdoor festival.
  • Announced so far (15 acts): Key Glock, DJ Drama, CHASE B, Benjazzy, eyden, Eric.B.Jr (Aug 3–5), Polo G, Tiji Jojo (Aug 7), Lil Tjay, Watson (Aug 9), Roddy Ricch, T-Pablow (Aug 12), Lil Baby, YZERR (Aug 13) and RASHEL (Aug 14, via the full-lineup flyer, with no individual announcement) — seven overseas and eight domestic acts. The announcement text names Lil Baby as the headliner, in what would be his first-ever Japan performance. Six of them — Polo G, Tiji Jojo, eyden, T-Pablow, Watson and YZERR — also played FORCE Festival 2025. The flyer also fixed the day’s hours: doors 11:00 a.m., show 1:00–9:00 p.m. JST. Ticket presale runs on eplus, August 15 (8:00 p.m. JST) through September 30. Presale prices: GOLD ¥42,000 / SILVER ¥32,000 (tax included, standing).
  • Observed signals: Atlanta cluster around Young Thug / Lil Baby; movement of the post-BAD HOP alumni generation.
  • The remaining questions are whether “AND MORE…” yields additions and when the site map, general sale and food details are announced.
  • This article will be updated as news arrives.

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FORCE Festival 2026 — Information Summary

✓ Currently confirmed (official announcements + on-stage statements)

ItemDetail
DateSunday, October 25, 2026
LocationHigashi-Ogishima East Park, Kawasaki, Kanagawa
HostFORCE MAGAZINE
FounderYZERR

✓ Additional confirmed format details

ItemDetailStatus
Format (days)Single-dayOfficially announced
Format (indoor/outdoor)OutdoorOfficially announced

? Still to be announced

  • Whether the flyer’s “AND MORE…” produces later additions
  • General-sale start date
  • Detailed site map and Chef O’Shane’s menu, prices and quantities

◎ Result against the pre-announcement read

ItemResultRecord
First-wave international presenceKey Glock, DJ Drama, and CHASE B are in the first sixInternational acts appeared in the first wave
Young ThugNot included in the first sixConsistent with the July 14 A→C downgrade; this does not decide later additions
VenueHigashi-Ogishima East ParkConfirmed; the archived Todoroki forecast missed

The detailed reasoning and points of analysis follow in §2 through §7.

For deeper context, three companion pieces are listed in the closing section: our April 30 announcement breaker, the SKYAMI Atlanta-connection analysis, and the 2025 edition full review. Reading them in order — breaking news, lineup signal analysis, prior-year benchmark — gives the 2026 picture in three dimensions.


1. Confirmed Facts

ItemDetail
DateSunday, October 25, 2026
VenueHigashi-Ogishima East Park, Kawasaki (officially announced July 14)
HostFORCE MAGAZINE
FounderYZERR
Single-day / multi-daySingle-day (officially announced July 14)
FormatOutdoor (officially announced July 14)
Lineup15 acts announced: Key Glock, DJ Drama, CHASE B, Benjazzy, eyden, Eric.B.Jr (Aug 3–5); Polo G, Tiji Jojo (Aug 7); Lil Tjay, Watson (Aug 9); Roddy Ricch, T-Pablow (Aug 12); Lil Baby (headliner) and YZERR (Aug 13); RASHEL (Aug 14, via the full-lineup flyer). “AND MORE…” still appears on the flyer
Doors / timesOPEN 11:00 a.m. / START 1:00 p.m. / CLOSE 9:00 p.m. JST (confirmed via the Aug 14 full-lineup flyer)
Ticket salesPresale August 15, 8:00 p.m. – September 30, 11:59 p.m. JST (postponed from July 31 on July 29). GOLD ¥42,000 / SILVER ¥32,000 presale; general ¥45,000 / ¥35,000

Archived April statement and correction: at YZERR’s “ROD III Concert” on April 28, he told the audience “October 24th, I think” and “We’re doing it in Kawasaki this time.” The official announcement later fixed the date as October 25 and the venue as Higashi-Ogishima East Park. The earlier wording is retained here as the source record, not as the current date.

The April broadcast did not name a specific venue. The later official announcement set the event at Higashi-Ogishima East Park; the earlier venue forecast is retained in §6 as an archived read.

→ See our breaking-news report: [Corrected] FORCE Festival 2026 set for October 25 at Higashi-Ogishima East Park (April 30 report).


2. Observed Signals

Pre-announcement signal record: Before the first six acts were confirmed, multiple signals were issued by YZERR and his immediate circle in April 2026. We retain them below as dated observations, not as the current lineup.

2-1. Atlanta-side signals

April 19, 21:33 — YZERR’s X post

An image of Young Thug was quoted with the caption “Should we invite the rapper sitting next to me to Force this year?”

Read at face value, the post implies that YZERR is in close enough proximity to Young Thug to make direct contact, and that Young Thug is being considered as a booking target for FORCE Festival.

April 19 — YZERR’s “SKYAMI” Official Visualiser is released

As detailed in our MV analysis, the video shows what appears to be Lil Baby. Around the 3:23 mark, a figure that looks like Young Thug also appears in the background.

On the same day, YZERR also released “MONEY RAIN feat. YTG.” Together these point to the possibility that Young Thug-adjacent credits are now embedded in YZERR’s production environment.

→ See our MV analysis: YZERR signaling Lil Baby and Young Thug for Force 2026? “SKYAMI” shows what looks like Lil Baby — the Atlanta connection moves (April 19). Coverage of “MONEY RAIN feat. YTG” released the same day: YZERR “MONEY RAIN feat. YTG” — the independent chapter after BAD HOP.

Pieced together, this all points to one thing: the Atlanta circle, particularly artists around Young Thug / YSL, sit at an observable distance from FORCE Festival 2026’s potential booking radius.

At that point, no booking confirmation had been issued by an official source.

One important piece of context: a remark YZERR made on X back on January 4, 2025.

“When I got to spend time at the Miami studio, every day Future, Lil Baby, and Young Thug were there.” This single line ends up reading like a setup line for what came later.

January 2025 Miami studio testimony → April 2026 SKYAMI (Future / LUCKI / Lil Baby–referenced Miami slang) → MONEY RAIN feat. YTG → ROD III Concert stage announcement. Across an 18-month timeline, the Atlanta / Miami connection has been built up step by step.

The fact that the single word “SKYAMI” works as the convergence point of the past 18 months of YZERR × Atlanta / Miami connections is, again, the central thesis of our SKYAMI MV analysis.

The April 19 X post hinting at Young Thug is not a one-off social-media tease. It should be read as the moment the final piece of an 18-month buildup is dropped into place.

2-2. Domestic line signals

April 28 — YZERR’s “ROD III Concert” at Toyosu PIT

The one-man live that symbolizes YZERR’s solo run after BAD HOP became the venue where FORCE Festival 2026 was announced.

This show — the third chapter of his “Rich or Die” series — was held at Toyosu PIT (capacity ~3,100 standing). It was the first real-world test of YZERR’s pulling power as a solo act.

YZERR has stood on the Tokyo Dome stage with BAD HOP (capacity 55,000). The fact that, immediately after road-testing his solo draw at a 3,100-capacity room, he then announced Kawasaki as a festival host — that sequence matters.

Solo artist (Toyosu PIT, 3,100) → festival host (FORCE Festival Kawasaki, scale TBD). Both axes were presented in succession, on the same stage, on the same night.

The use of an ABEMA live broadcast can also be read structurally: it allowed two pillars — the FORCE Festival project and the “BAD HOP alumni solo return” narrative — to be raised at the same time.

→ Details: YZERR to hold his first solo one-man live, “ROD III Concert,” at Toyosu PIT on 4/28 (April 5).

Tiji Jojo’s Budokan solo announcement (March) The announcement of a solo Budokan show by a former BAD HOP member is a separate matter from FORCE Festival 2026, but it is a parallel event that matters when reading the Kawasaki crew’s solo trajectory. Tiji Jojo’s “LONG LIVE LOUD” is set for June 19, 2026, at Nippon Budokan.

Yuki Chiba & BABYWOODROSE As seen in the April-released “Documentary” with ChaseTheMoney, Yuki Chiba continues in 2026 to occupy the position that symbolizes the post-Kohh / post-BAD HOP moment. His participation in FORCE Festival 2026 is unconfirmed at the time of writing, but his affinity with the Kawasaki context is high. In our April 2026 hip-hop news roundup, we placed Yuki Chiba’s orchestra concert, YZERR’s national tour, and FORCE Festival’s restart in Kawasaki side by side as evidence that “two forms of succession are rising at the same time.”

2-3. Movement on official channels

April 29 — FORCE MAGAZINE official Instagram post The post that opened up the comment section with the caption “Who do you want to see?” is, at the time of writing, still being updated. Even if the names readers write there don’t directly become booking decisions, they are structurally embedded in shaping the temperature of the 2026 edition.

April 19 SKYAMI MV → April 19 X post hinting at Young Thug → April 28 stage announcement → April 29 official IG “Who do you want to see?” The fact that the channel keeps switching in this exact order points to an announcement design built in three stages: personal voice → official voice → reader participation.

2-4. Format details mentioned in YZERR’s Instagram Live

Before the formal announcement at ROD III Concert (April 28), YZERR had already discussed several important specifics about the 2026 edition’s format on Instagram Live earlier that month. This was captured in a summary X post by user @tyorigino dated April 22 at 23:31. That post has since exceeded 230,000 views, and the following three points were laid out:

  • October (the April statement recorded “October 24”; the official date was later corrected to October 25)
  • Single-day only
  • Outdoor staging

Before the official venue announcement, “single-day” plus “outdoor” and the April 28 line “We’re doing it in Kawasaki this time” were treated as directional signals. §6-4 preserves the venue forecast made from those signals and records the confirmed result.


3. FORCE MAGAZINE as a Media Operation

To read the FORCE Festival project correctly, you have to position the operating entity — FORCE MAGAZINE — as a media business. FORCE Festival is not a standalone music event. It is a flagship event built on top of a media operation.

3-1. From artist → media operator → festival host

YZERR has had an entrepreneurial side since the BAD HOP era, but the post-disbandment trajectory has clearly tilted toward “media operator.”

FORCE MAGAZINE was launched in 2025 as a hip-hop media outlet centered on its YouTube channel and Instagram, putting out documentaries, interviews, and culture content. The official Instagram account has reached around 47,000 followers.

The structure of an artist owning a media outlet and using it to host a festival has overseas precedents — Tyler, the Creator’s “Camp Flog Gnaw,” the pgLang ecosystem around Kendrick Lamar — but it remains rare in Japan.

FORCE Festival represents a model with few domestic predecessors: an artist designing a festival while retaining editorial control and a self-owned distribution channel.

From a hip-hop media perspective, FORCE MAGAZINE also stakes out a position distinct from established U.S. outlets like XXL or Complex.

As we organized in our October 2025 “FORCE MAGAZINE coming soon” report, the structural design here is one in which the artist shifts from “the one being talked about” to “the one doing the talking” — opening a new format for culture transmission.

The positioning within the domestic hip-hop festival market is also distinctive.

Where POP YOURS takes a pop-cultural approach at Makuhari Messe, and THE HOPE leans into outdoor underground texture, FORCE Festival is designed to deliver “global standard” hip-hop experience at large urban venues.

As we organized in our September 2025 pre-event analysis, this is festival design as cultural experience — predicated on the maturity of Japan’s hip-hop fan base — and it operates in a different frame from pure leisure consumption.

3-2. The mutual reinforcement of media × festival

Artists who appear in FORCE MAGAZINE documentaries and interviews end up being recognized by readers as candidates for FORCE Festival.

Readers experience “the face they saw in the magazine” at the festival, then go back to the magazine to deepen their understanding of “the artist they saw at the festival.” Being able to design that round-trip motion inside one organization is an extremely large strength as a content business.

The fact that the 2025 debut could field 18 international acts is partly thanks to this business structure.

The interview slot at FORCE MAGAZINE and the booking slot at the festival are not two separate negotiations. They presumably operate as one continuous relationship — and that creates a competitive moat that is hard for other media outlets and other promoters to copy.

That said, in the official FORCE FESTIVAL documentary released on November 3, 2025, YZERR was honest about the financial reality.

“The flyer, the video direction, the operational comms — all of it, six people total.” “(Estimated) ticket revenue 600 million yen, production cost 800–900 million yen — even at sellout, recovery is structurally hard.” That testimony shows the upper bound of what is achievable as an independent operation.

The efficiency of a media-led festival, and the limits that same structure carries — both shown in the same statement.

→ Documentary details: YZERR speaks: the official FORCE FESTIVAL documentary (November 3).

3-3. HIPHOPCs as a “half-step removed” observer

HIPHOPCs, as an outlet that documents the hip-hop scene, occupies a different role from FORCE MAGAZINE. We are not a stakeholder of FORCE Festival — we are an observer. That is precisely why we can put on the table the structural analyses and the announcement-channel design that the operating side itself does not publish.

This article is written from that position. It is not an article predicting FORCE Festival 2026’s lineup — it is an article organizing the contour of the FORCE Festival 2026 phenomenon. From §6 onward, however, we present HIPHOPCs’ read within the range that can be logically derived from observed signals.


4. 2025 as a Reference Point

To read 2026, the most reliable benchmark is the 2025 debut.

4-1. Scale

Held over two days, Friday October 3 and Saturday October 4, 2025, at Yokohama Arena. Capacity ~17,000, with a combined two-day attendance of approximately 30,000. Lineup: 18 international acts, 12 domestic acts, 30 in total.

Tickets ranged 30,000–45,000 yen, on par with overseas events like Rolling Loud or Summer Jam.

Japan’s music festival market in 2024 has been estimated at roughly 68.5 billion yen. FORCE Festival 2025 sat in the high-price segment of that market.

Pricing initiatives like a 5,000-yen student discount (C-tier 30,000 → 25,000 yen) and a 50% sponsor discount (30,000 → 15,000 yen) were structured to support long-term audience development and market expansion.

4-2. International lineup (2025)

Day 1 (Friday, October 3): Central Cee (headliner) / Sexyy Red / Trippie Redd / A Boogie Wit da Hoodie / NAV / FERG / Murda Beatz

Day 2 (Saturday, October 4): Future (headliner) / Metro Boomin / Latto / Polo G / Rae Sremmurd / Moneybagg Yo / ATL Jacob / Yung Bans / Doe Boy / Test / Louis Russell

The structure placed major U.S. East Coast, Southern, and U.K. acts in parallel across two days. Day 2’s Atlanta cluster — Future, Metro Boomin, Moneybagg Yo, Latto, Polo G — reads naturally alongside the 2026 signals around Young Thug / Lil Baby. Day 1’s lone headliner Central Cee was a placement that signaled internationality through the U.K. drill scene.

4-3. Domestic lineup (2025)

Day 1: T-Pablow / Tiji Jojo / ¥ellow Bucks / LEX / Watson / Kohjiya

Day 2: YZERR / Awich / JP THE WAVY / Bark / Eyden / Kaneee

The domestic side covered nearly all the major acts of the J-HipHop scene, demonstrating that domestic acts can hold their own at the scale of the international lineup.

What stands out is that former BAD HOP members (YZERR, T-Pablow, Tiji Jojo, Bark) all appeared at the same festival. Day 1 had T-Pablow and Tiji Jojo; Day 2 had YZERR and Bark. Across two days, the four core BAD HOP alumni were on the same bill.

That fact becomes an important premise for reading the 2026 Kawasaki edition. By Yokohama 2025, the BAD HOP alumni reunion was already realized in practice. The 2026 Kawasaki edition functions as the venue where that reunion is re-arranged inside the context of “home turf.”

→ Full 2025 review and attendee survey: [Attendee voices] FORCE FES 2025 full review and 2026 predictions (October 5). Pre-event guide: [Complete guide] Force Festival 2025 (Yokohama Arena), tomorrow (October 2). The structural analysis of the brawl incident at the 2025 after-party is detailed in The brawls before and after Shibuya HARLEM, the brawl after FORCE — what the normalization of U.S. rapper Japan visits actually looks like (April 17).


5. When will FORCE Festival 2026 tickets go on sale?

Announced. The presale runs from Saturday, August 15 at 8:00 p.m. JST to Wednesday, September 30 at 11:59 p.m. JST. It was originally set for July 31 and was postponed on July 29; the stated reason was a fan request to announce the full lineup before tickets go on sale. Prices followed on August 1: GOLD TICKET ¥42,000 / SILVER TICKET ¥32,000 for the presale, ¥45,000 / ¥35,000 at general sale — tax included, both standing. GOLD adds a front-of-stage area, a gold bracelet and lounge access (priority entry lane, dedicated bar and rest area). See our price and area-map breakdown. The presale is handled by eplus; the general-sale start date and platform have not yet been announced.

For the record, this section previously projected the schedule from the 2025 pattern; that table is kept below as an archived read. The projection — presale “around mid-August 2026” — matched the announced date.

Stage2025 actual2026 projection
Pre-saleMid-August 2025Around mid-August 2026
General saleSeptember 5, 2025Late August – early September 2026
TiersDay-pass / 2-day pass / VIP / PremiumIf single-day: 1-day pass / VIP / Premium

Archived May read: the 2025 pattern suggested ticket information would move between August and September 2026. The announced August 15 presale is the result recorded above.

The domestic eplus page identifies the advance sale as first-come-first-served. The general-sale date, any separate priority allotment, and any after-party plan remain unannounced. This hub will be updated only when official information lands.


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6. Archived predictions (as of July 14) — kept for the record

Result added August 6: the first wave is Key Glock, DJ Drama, CHASE B, Benjazzy, eyden, and Eric.B.Jr. International acts were present from the first wave. Young Thug was not among the first six, which is consistent with the July 14 downgrade from A to C; it does not rule on later additions. See the first-wave summary.

The material below is the editorial read recorded before the lineup announcement. It is preserved for accountability and must not be read as the current lineup.

For clarity: signal strength A does not mean booking is confirmed. It is an editorial classification reflecting how strong the currently observable signals are.

Signal strength definitions:

  • Strength A: Strongest currently observable indication. Direct signals from the principal or from official channels.
  • Strength B: Booking possibility readable from peripheral signals, statements by people in the circle, or adjacent projects.
  • Strength C: Logically coherent as a candidate, but no direct signal currently observed.

6-1. International headliner predictions

Strength A: Young Thug An image of Young Thug was directly quoted in YZERR’s April 19 X post, with the line “Should we invite him to Force?” Young Thug himself resumed live activity after the YSL trial concluded in October 2024, and is back on tour overseas. Looking at the timeline — January 2025 Miami session testimony, April 2026 SKYAMI MV footage, and the “Should we invite him?” X post — this is not a one-off tease. It is a signal that has been built up step by step over 18 months. We list him as the leading candidate at headliner level for 2026.

Strength A: Lil Baby A figure resembling him appears in the SKYAMI Official Visualiser, and “MONEY RAIN feat. YTG” released the same day reads in alignment. Lil Baby is touring 2024–2026 around “WHAM” and other album rollouts; a Japan festival appearance is plausible. The natural reading is to pair him with Young Thug.

Strength B: Active acts around YSL / 4PF If Young Thug and Lil Baby are the axis, the YSL (Young Stoner Life) label and the 4PF (4 Pockets Full) crew, plus the post-Young Thug Atlanta wave, are likely to fill in around them. Gunna sits as a candidate as a currently active core artist.

Sidebar: Wheezy (producer) and a production link

Wheezy, the lead producer for Young Thug and Lil Baby, has prior credits with BAD HOP.

In the YouTube comments tied to the April 29 FORCE MAGAZINE “Who do you want to see?” post, a reader (@kxvmx, at 7:36) noted, “Wheezy made two songs with BAD HOP, so the odds are pretty high.”

The production credit itself is a real fact, but it is too thin to be elevated into a probability of booking. We record it here only as a side observation.

Given that Murda Beatz and ATL Jacob were booked in producer slots in 2025, the structural possibility of an Atlanta-side producer being included in 2026 is reasonable to anticipate. Whether Wheezy himself takes the booking is a separate question.

Strength C: Returning members of the 2025 Atlanta cluster Multiple names from the 2025 Future / Metro Boomin / Moneybagg Yo cluster could return in 2026. Metro Boomin in particular connects to the sonic direction of YZERR’s “SKYAMI” and “MONEY RAIN,” and a return appearance as the inaugural-year ally has logical footing.

6-2. International sub-headliner predictions

2025 placed sub-headliners at the level of Central Cee and A Boogie Wit da Hoodie. Building on that, we expect three to five international acts at a similar tier in 2026.

Candidates are acts that combine streaming results with a Japan fan base. Roddy Ricch, 21 Savage, and Don Toliver are plausible names given Japan-market fit. On the U.K. side, the 2025 single-headliner Central Cee structure could be deepened, but we have not observed concrete U.K.-side signals for 2026 as of this writing.

Strength C: Names from the 2025 attendee survey Our 2025 full review and attendee survey collected reader expectations for 2026 headliners — names like Travis Scott, 21 Savage, and Playboi Carti came up. These are not derived directly from the currently observed signals, but we record them as reader anticipation.

Strength C: From the FORCE MAGAZINE official IG “Who do you want to see?” thread

The YouTube comments tied to the April 29 FORCE MAGAZINE Instagram post had collected over 75 requests as of this writing.

Names mentioned multiple times as reader expectations include: Lil Tecca / Lil Tjay / Yeat (multiple votes) / 42 Dugg / Veeze / G Herbo / Famous Dex / SNOT / Lucki / Young Nudy / Cardi B / JPEGMAFIA / Clipse / NBA YoungBoy / Travis Scott (return) / Polo G (returnee request from 2025) / NAV (consecutive year) / Fabolous (veteran slot) / DaBaby / Dave (U.K. slot).

These are reader expectations, not signals. Drake also drew comments such as “that beef had too much impact / outside Force the demand would be huge,” which aligns with our own read.

6-3. Domestic lineup predictions

Strength A: YZERR himself As host and founder, his presence on the bill — or in some form of stage involvement — is the highest-probability item in the entire lineup. Building on his solo run after ROD III Concert, expect a presence beyond what was visible in 2025.

Strength A: BAD HOP alumni

Given the Kawasaki context, a BAD HOP alumni reunion — or appearances by multiple alumni as solo acts — is the most natural reading.

T-Pablow, Tiji Jojo, Bark, Yellow Pato, G-k.i.d, BENJAZZY, Vingo — depending on each artist’s solo trajectory, but the locality of “Kawasaki as the venue” is going to weigh heavily on the structure.

Strength B: Yuki Chiba

Given the April-released “Documentary” with ChaseTheMoney, the Kawasaki context, and his historical relationship with the BAD HOP generation, the booking probability is high.

Officially we list him as Strength B, but in editorial terms we are reading him close to Strength A.

Strength B: 2025 returnees

Awich, JP THE WAVY, ¥ellow Bucks, LEX, Kohjiya — the domestic core that played 2025 has high return-appearance probability.

Awich in particular has functioned as a center of gravity for the scene from 2024 through 2026, and her return is highly likely.

Strength B: Crossover from the POP YOURS generation The generation that asserted itself at POP YOURS in April 2026 — Alif Wolf, Rommy Montana, etc. — could be folded into FORCE Festival as well. The watch point is whether this links up with FORCE MAGAZINE’s interview programming.

Strength C: Expansion of the women’s lineup 2025 was structured around Awich. 2026 could see an expansion to multiple female acts. Specific candidate signals have not yet accumulated to the level we’d want before listing names — pending update.

6-4. Archived venue and format predictions

Archived July 14 frame: before the official announcement, the structural question was where in Kawasaki the festival would be held and at what scale. The confirmed answer is Higashi-Ogishima East Park.

Two points strongly indicated by the principal himself

As covered in §2-4, the two points YZERR mentioned on Instagram Live in April carry strong directional weight on the format question.

  • Single-day only
  • Outdoor staging

At the time, this put “outdoor single-day in Kawasaki” forward as the strongest observable shape, with the specific venue still unresolved. This paragraph is retained as part of the archived reasoning.

Outdoor venue candidates in Kawasaki — HIPHOPCs read

Kawasaki does not contain an indoor venue at the scale of Yokohama Arena (~17,000). If outdoor, the candidates are:

  • Todoroki Athletics Stadium (outdoor, ~27,000): Home of Kawasaki Frontale. If 2025’s combined two-day attendance of 30,000 is to be consolidated into a single day, scale and locality both align here.
  • Higashi-Ogishima East Park (outdoor, variable capacity): A waterfront park in Kawasaki Ward. Has prior outdoor festival history; works well for a multi-stage format.
  • Custom site near Kawasaki Station: An outdoor temporary tent setup or composite use of areas around the station. Limited precedent, but gives the highest design flexibility for a media-led festival.

Archived July 14 read: given YZERR’s “single-day / outdoor” remarks and the 2025 scale, HIPHOPCs judged Todoroki Athletics Stadium the closest fit. Result: the official venue is Higashi-Ogishima East Park, so the venue forecast missed.

That said, an outdoor late-October date carries weather risk. How wet-weather contingency (covered staging, decision-tree for proceeding vs. postponing) is engineered by the operating side is pending update.

The shift from 2025’s indoor arena (Yokohama Arena, ~17,000) to a 2026 outdoor large-scale venue (estimated 20,000–27,000) is in itself a change in the festival’s experience design.

Outdoor festivals require redesigning sound, audience flow, weather, and security on different logic than indoor — meaning 2026 is, for the FORCE MAGAZINE operations team, a verification phase: “Can the same scale as 2025 be delivered in a different format?”


7. The Choice of Kawasaki

The fact that 2026 is in Kawasaki is itself an element that changes how the FORCE Festival project should be read.

7-1. Kawasaki as BAD HOP’s home base

BAD HOP, the project YZERR built his career around, was a Kawasaki, Kanagawa-based hip-hop crew that was active from 2014 to 2024. Most of its members are from Kawasaki.

After the February 2024 Tokyo Dome show that closed BAD HOP’s run, YZERR and the other former members shifted into solo trajectories.

The 2025 Yokohama Arena (Kohoku Ward, Yokohama) sits in an area adjacent to Kawasaki — “close to home,” but not Kawasaki itself.

The fact that 2026 is in Kawasaki proper supports a reading where, after the year-one proof-of-scale phase, year two folds in a homecoming to the place of origin.

His on-stage phrasing — “this time” — also reads as relativizing year one in Yokohama as “last time” and positioning year two in Kawasaki as a new phase.

7-2. Kawasaki as generational argument

From 2014 when BAD HOP started, to 2024 when they disbanded, to 2026 when FORCE Festival comes back to Kawasaki — exactly twelve years.

In Japan’s hip-hop scene, the generation carrying the post-BAD HOP era has already taken shape — as solo acts, as new crews, as a new wave. So a question hangs over FORCE Festival 2026’s lineup: how the post-BAD HOP generation gets folded in.

YZERR himself is in the launch phase of his solo career. Tiji Jojo is selling out Budokan alone. Yuki Chiba is updating the legacy from outside BAD HOP. Kawasaki, as a location, has the potential to function as the intersection where these trajectories cross.

As organized in our April monthly roundup, two “forms of succession” run in parallel in Japan’s April 2026 scene.

One is succession in which a name is carried forward inside one self — KOHH to Yuki Chiba.

The other is succession in which a collective unfolds into individuals — BAD HOP to YZERR — and where, in this case, that individual is also restarting the place name “Kawasaki” from the host’s seat of a festival.

Different forms, but in both cases something is passing from something. FORCE Festival 2026’s Kawasaki edition is the place where the second form of succession appears most concretely.

FORCE Festival 2026 happening in Kawasaki is not just a hometown show.

It is YZERR updating, in the form of media and a festival, the trail BAD HOP cut into Japanese hip-hop.

From year one in Yokohama Arena, where scale was proven, to year two in Kawasaki, where meaning gets collected back. The 2026 edition of FORCE Festival has a real chance of being recorded as a turning point.


8. Information still to be announced

The date, venue, outdoor format, 15-act bill, presale window and prices are announced. The remaining operating details below will be updated as official information arrives.

  • Whether the flyer’s “AND MORE…” produces later additions
  • General-sale start date
  • Detailed transport guidance and site map
  • Whether the organizer announces an after-party

9. HIPHOPCs’ Force Festival / FORCE MAGAZINE record

HIPHOPCs has been continuously documenting the FORCE Festival and FORCE MAGAZINE projects since September 2025. Listed below in chronological order as a reference.

2025 (around FORCE Festival 2025)

2026 (FORCE Festival 2026 ramp-up)

Few outlets have documented the FORCE Festival project at this granularity and continuity. As one of the few publications that has watched the project as a whole, HIPHOPCs intends to follow the 2026 edition right up to the day of the show.


10. Update policy for this article

This article serves as a hub on FORCE Festival 2026 and will be updated at the following moments.

  • When the official side announces additional lineup, ticket, or logistics details.
  • When new signals are issued by YZERR himself or by people in the immediate circle.
  • When there are major shifts in the trajectory of related artists.

The “last updated” date is shown at the top. Readers are welcome to bookmark this article and use it as the reference point for the FORCE Festival 2026 picture as a whole.

Regarding §6: predictions remain archived after confirmation. Results are added beside the original read so readers can see what was observed, what was inferred, and what was later confirmed.

Individual breaking-news posts, MV analyses, and live reports are reachable from this article via internal links. That structure will be maintained.


11. Going forward — operations after the 15-act bill

The announced bill now stands at 15 acts: seven from the United States and eight from Japan. The flyer still says “AND MORE…,” but that phrase alone does not announce another performer.

The next useful disclosures are operational: the general-sale date, detailed transport guidance and site map, and Chef O’Shane’s menu, prices and quantities. Each matters for a single-day outdoor event on an artificial island.

HIPHOPCs will add confirmed information to this hub without erasing the archived forecast record.


Suggested reading order

  1. [Corrected] FORCE Festival 2026 set for October 25 at Higashi-Ogishima East Park (April 30 report)
  2. YZERR signaling Lil Baby and Young Thug for Force 2026? “SKYAMI” shows what looks like Lil Baby
  3. YZERR “MONEY RAIN feat. YTG” — the independent chapter after BAD HOP
  4. YZERR’s first solo one-man live, “ROD III Concert,” 4/28 at Toyosu PIT
  5. YZERR speaks: the official FORCE FESTIVAL documentary
  6. [Attendee voices] FORCE FES 2025 full review and 2026 predictions
  7. The brawls before and after Shibuya HARLEM, the brawl after FORCE

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